Bhooter Nach
02/21/2010 · Mansi Shah
A psychedelic ghost dance from Satyajit Ray’s Goopy Gyne Bagha Byne (1968)
Rabindranath Tagore
03/25/2009 · Mansi Shah
Rabindranath Tagore (1961) documentary by Satyajit Ray
Satyajit Ray’s Graphic & Typographic Works III
03/03/2009 · Mansi Shah
Covers for literary & cultural journal Ekshan:
Shreya Ghoshal I
02/21/2009 · Grant Davis
श्रेया घोषाल – Shreya Ghoshal (b. March 12, 1984) is a popular Indian singer of Bengali origin, raised in Rajasthan. Following her success as a contestant on Zee TV’s singing competition Sa Re Ga Ma Pa in the late-90s, she began her career as a playback singer for Hindi films.
In 2000, Director Sanjay Leela Bhansali chose Shreya to sing the part of Paro, played by Aishwarya Rai, in his remake of Bimal Roy’s classic Devdas. Through working in this film, Shreya secured her place as a unique and rare talent in the Hindi film industry.
Over the past decade Shreya has continued to be one of the most innovative voices in Hindi film music, collaborating with talented singers/composers such as Sonu Nigam, Shaan, Rajesh Roshan, Anu Malik, Ilayaraja and AR Rahman. Her work, however, has not been limited to Hindi music. She has also received much acclaim for recordings in her mother tongue, Bengali, as well as in Tamil, Telugu, Malayalam and Marathi.

Shreya Ghoshal – Manzhi Gaani (Marathi) / Rupasi Raate (Bengali)
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Choice Tracks:
khoyi khoyi yaadein
Khoyi Khoyi Yaadein (Hindi, Sa Re Ga Ma Pa, 1999)
bairi piya
Bairi Piya (Hindi duet with Udit Narayan, Devdas, 2000)
Chholke Porey Kolke Phul
Chholke Porey Kolke Phul (Bengali, Rupasii Raate)
munbe vaa
Munbe Vaa (Tamil duet with Naresh Iyer, Sillunu Oru Kadhal, 2006)
vande mataram
Vande Mataram (Marathi, Manzhi Gaani)
Satyajit Ray’s Graphic & Typographic Works II
02/19/2009 · Mansi Shah

Aranyer Din Ratri (1970) – Days and Nights in the Forest

Seemabaddha (1971) – Company Limited

Seemabaddha (1971) – Company Limited
“[Satyajit Ray's] contributions to the development of advertising imagery in India was very distinctive, but hard to define. Like all the best graphic designers, he combined visual flair with a feel for the meaning of words and their nuances… He brought to his work a fascination for typography, both Bengali and English…”
– Andrew Robinson
Satyajit Ray’s Graphic & Typographic Works I
02/18/2009 · Mansi Shah

Sonar Kella (1974) – The Golden Fortress

Shatranj Ke Khilari (1977): The Chess Players














